Auto-tune Radio Podcast

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Reply All
Presentation
Hosted by
Genre
  • Technology
  • human interest
UpdatesWeekly
Production
No. of episodes160 (list of episodes)
Publication
Original release2014 – present
Ratings1,000,000[1]
ProviderGimlet Media
Websitegimletmedia.com/reply-all/

Reply All is an American podcast from Gimlet Media,[1][2] hosted by PJ Vogt and Alex Goldman.[3] The show features stories about how people shape the internet, and how the internet shapes people.[4] Vogt and Goldman previously hosted the technology and culture podcast TLDR for WNYC. Producers of the show include Phia Bennin, Tim Howard, Damiano Marchetti, and Sruthi Pinnamaneni.[5] The music is by Breakmaster Cylinder.[6]

Reply All premiered November 24, 2014,[7][8] the second podcast to be developed by Gimlet Media. It was a 2016 Webby Nominee for Best Podcast.[9]

Format[edit]

Co-host PJ Vogt

Each episode varies in format, with some recurring segments, including 'Yes, Yes, No', in which Vogt and Goldman explain internet trivia to Alex Blumberg, co-founder of Gimlet Media, with occasional help from outside guests.[10] In a variation on this segment called 'Sports, Sports, Sports', Blumberg instead explains sports-related tweets to Vogt and Goldman. The segment debuted in episode 106, 'Is that You, KD?'.[11] In another recurring segment, called 'Super Tech Support', the Reply All team—particularly Goldman, who previously worked as a network administrator[12]—takes on odd or especially complex tech support issues that the listeners or friends of the hosts have encountered.

Episodes[edit]

Reception[edit]

The podcast has received mostly positive reviews, receiving an average of five stars on Apple Podcasts, with over 19,000 reviews.[13]

The podcast was nominated in 2015 and 2016 for a Shorty Award. The nomination cited its unusual social media presence, including an event where the hosts accepted phone calls from listeners for 48 hours straight.[14] In 2016, the Mixcloud Online Radio Awards (MORA) nominated it as 'Best Online Talk Show' in education.[15] The show was also nominated for a Webby Award for Best Podcast.[9]

In 2017, Quartz nominated episode 102, 'Long Distance', as 'Best Tech Episode'.[16] In 2019, the podcast was named the best podcast of the year by Dutch newspaper De Volkskrant[17] and the sixth best podcast of the year by The New Yorker.[18]

In March 2020, the podcast released episode 158, 'The Case of the Missing Hit' to wide acclaim.[19]The New York Times reported that the number of overall listeners to the show increased 35 percent across platforms in the days after its release.[20] Hannah J. Davies of The Guardian called it 'perhaps the best-ever episode of any podcast' and 'an incredibly emotive piece of storytelling.'[21]

References[edit]

  1. ^ ab'How Gimlet hopes to win the podcasting arms race'. Digiday. August 19, 2016. Retrieved March 15, 2018.
  2. ^Olukotun, Deji (February 14, 2015). 'ReplyAll and the Battle for Storytelling About the Net'. Huffington Post. Retrieved February 26, 2015.
  3. ^'About Reply All'. Retrieved February 16, 2015.
  4. ^Cyrus Farivar (January 10, 2015). 'Why I love Reply All and you should too'. Ars Technica. Retrieved June 2, 2015.
  5. ^Landers, Kim (May 16, 2016). 'Co-host of popular podcast Reply All in Melbourne this week for forum'. Retrieved July 10, 2016.
  6. ^'The Mysterious Breakmaster Cylinder Opens Up: An Interview'. Exolymph. July 31, 2016. Retrieved June 8, 2018.
  7. ^Episode #1 - An App Sends a Stranger to Say 'I Love You' - Gimlet Media (November 24, 2014)
  8. ^Talks at Google (March 16, 2017), Alex Goldman and PJ Vogt: 'Gimlet's Reply All' Talks at Google, retrieved November 20, 2017
  9. ^ ab'Reply All The Webby Awards'. Retrieved July 11, 2016.
  10. ^'Yes Yes No'. Yes Yes No. Retrieved June 8, 2018.
  11. ^'#106 Is That You, KD? by Reply All'. Gimlet Media. Retrieved June 8, 2018.
  12. ^'#76 Lost in a Cab by Reply All'. Gimlet Media. September 8, 2016. Retrieved August 19, 2018.
  13. ^'Reply All by Gimlet Media on Apple Podcasts'. Apple Podcasts. Retrieved June 8, 2018.
  14. ^'Reply All - The Shorty Awards'. shortyawards.com. Retrieved June 8, 2018.
  15. ^'Mixcloud Online Radio Awards Nominee - Reply All'. www.mora.fm. Retrieved June 8, 2018.
  16. ^Wolfson, Elijah. 'The Casties: Quartz's awards for the best podcasts of 2017'. Quartz. Retrieved June 9, 2018.
  17. ^'Deze podcasts kregen dit jaar vijf sterren'. de Volkskrant (in Dutch). December 12, 2019. Retrieved January 7, 2020.
  18. ^Larson, Sarah (December 21, 2019). 'The Best Podcasts of 2019'. The New Yorker. Conde Nast. Retrieved January 7, 2020.
  19. ^Kranc, Lauren (March 20, 2020). 'The One Podcast Episode That Makes Everything Better For At Least An Hour'. Esquire. Retrieved March 21, 2020.
  20. ^Ugwu, Reggie (March 19, 2020). 'A Song No One Remembered. A Podcast That's Hard to Forget'. The New York Times. ISSN0362-4331. Retrieved March 21, 2020.
  21. ^Davies, Hannah J. (March 10, 2020). 'Reply All's The Case of the Missing Hit: could this be the best podcast episode ever?'. The Guardian. ISSN0261-3077. Retrieved March 21, 2020.

External links[edit]

  • Official website
Retrieved from 'https://en.wikipedia.org/w/index.php?title=Reply_All_(podcast)&oldid=949678717'
Auto-Tune
Developer(s)Antares Audio Technologies
Initial release1997 [1]
Stable release
Operating systemMicrosoft Windows, Mac OS X
TypePitch correction
LicenseProprietary
Websitewww.antarestech.com
Antares Vocal Processor AVP-1 (mid)

Auto-Tune is a proprietary[2]audio processor made by Antares Audio Technologies. Auto-Tune uses a ph vocoder to fix pitch in vocal and instrumental performances. It is used to hide out of tune singing and mistakes. It lets singers perform perfectly tuned vocal tracks without needing to sing in tune. Its main purpose is to slightly bend sung pitches to the nearest true semitone. Auto-Tune can also be used as an effect to distort the human voice when pitch is raised/lowered a lot.[3]

Auto-Tune can be used as a plug-in for professional audio multi-tracking suites used in a studio setting, and as a stand-alone, rack-mounted unit for live performance processing.[4] Auto-Tune has become standard equipment in professional recording studios.[5]

Auto-Tune was first created by Andy Hildebrand, an engineer working for Exxon. Hildebrand developed methods for interpreting seismic data, and then realized that the technology could be used to detect, analyze, and modify pitch.[3]

In popular music[changechange source]

Auto-Tune was used for vocal effects on Cher's 'Believe', recorded in 1998. This was the first major hit song to use the software for this purpose. At first the sound engineers claimed that they had used a vocoder, in what Sound on Sound said was an attempt to keep a trade secret.[6] After the massive success of 'Believe', many artists copied the technique, which became known as the 'Cher Effect'. It can be heard in songs of the late 1990s and early 2000s. Some notable examples are Gigi D'Agostino's 'La Passion' and Janet Jackson's US Number 1 hit 'All For You'. Auto-Tune became famous again in the mid-2000s when R&B singer T-Pain made active use of it in his songs.[7] This technique has been copied by many other modern R&B and pop artists, including Usher, Beyoncé, Rihanna, and Justin Bieber. T-Pain has even had an iPhoneApp named after him that copies the effect called 'I Am T-Pain'.[8]

The Boston Herald revealed that country music stars Faith Hill and Tim McGraw have both said they are using Auto-Tune in performance. They said it is a safety net that guarantees a good performance.[9]Sara Evans, John Michael Montgomery and Gary LeVox of the group Rascal Flatts also use Auto-Tune to fix pitch problems. However, other country music singers, such as Loretta Lynn, Allison Moorer, Trisha Yearwood, Vince Gill, Garth Brooks, Martina McBride, and Patty Loveless, have refused to use Auto-Tune.[10]

YouTube musical group The Gregory Brothers have joined their original music tracks with Auto-Tuned versions of mundane evening news video clips, making fun of everyone from President Barack Obama to Antoine Dodson. The popularity of their YouTube channel led the Gregory Brothers to release many of their songs on iTunes.

Artist backlash[changechange source]

In 2002, the CD Miss Fortune by singer-songwriter Allison Moorer was released with a sticker stating that 'Absolutely no vocal tuning or pitch correction was used in the making of this record'.[11] At the 51st Grammy Awards in early 2009, the band Death Cab for Cutie wore blue ribbons to protest the use of Auto-Tune in the music industry.[12] Later that spring, Jay-Z named the lead single of his album The Blueprint 3 as 'D.O.A. (Death of Auto-Tune)'. Jay-Z said that far too many people had jumped on the Auto-Tune bandwagon and that the trend had become a gimmick.[13][14]Christina Aguilera appeared in public in Los Angeles on August 10, 2009 wearing a T-shirt that read, 'Auto Tune is for Pussies'.[15] However, when interviewed by Sirius/XM, she said that Auto-Tune wasn't bad if used '.in a creative way'. She said her album Bionic uses the technology and highlighted 'Elastic Love' being a product of it.[16]

Criticism[changechange source]

Opponents of the plug-in argue Auto-Tune people will not treat musicians with respect in they need help to stay in tune. A Chicago Tribune report from 2003 states that 'many successful mainstream artists in most genres of music—perhaps a majority of artists—are using pitch correction'.[11]

In 2004, The Daily Telegraph music critic Neil McCormick called Auto-Tune a 'particularly sinister invention that has been putting extra shine on pop vocals since the 1990s' by taking 'a poorly sung note and transpos[ing] it, placing it dead center of where it was meant to be'.[17]

Auto-tune Radio Podcast Youtube

In 2009, Time magazine quoted an unnamed Grammy-winning recording engineer as saying, 'Let's just say I've had Auto-Tune save vocals on everything from Britney Spears to Bollywood cast albums. And every singer now presumes that you'll just run their voice through the box.' The same article hoped 'that pop's fetish for uniform perfect pitch will fade', commenting that pop-music songs are sounding the same, as 'track after track has perfect pitch.'[18][19] Timothy Powell, a producer/engineer stated in 2003 that he is 'even starting to see vocal tuning devices show up in concert settings'; he states that 'That's more of an ethical dilemma—people pay a premium dollar to see artists and artists want people to see them at their best.'[11]

The American television series Glee uses Auto-Tune in its songs. E! Online's Joal Ryan criticized the show for its 'overproduced soundtrack', in particular, complaining that many songs rely too heavily on the software.[20]

In 2010, there was controversy when British television reality TV show, The X Factor had been accused of using Auto-Tune to improve the voices of contestants, especially Gamu Nhengu.[21][22]Simon Cowell ordered a ban on Auto-Tune for future episodes.[23]

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References[changechange source]

  1. ↑Antares history page
  2. ↑Harold A. Hildebrand, 'Pitch detection and intonation correction apparatus and method', US patent 5973252, published 1999-10-26, issued 1999-10-26
  3. ↑ 3.03.1Frere Jones, Sasha. 'The Gerbil's Revenge', The New Yorker, June 9, 2008
  4. ↑Antares product page
  5. ↑Everett-Green, Robert. 'Ruled by Frankenmusic,' The Globe and Mail, October 14, 2006, p. R1.
  6. ↑'Recording Cher's 'Believe'
  7. ↑Singers do better with T-Pain relief
  8. ↑I Am T-Pain at Smule.com
  9. ↑Treacy, Christopher John. 'Pitch-adjusting software brings studio tricks,' The Boston Herald, February 19, 2007, Monday, 'The Edge' p. 32.
  10. ↑McCall, Michael. Pro Tools: A number of leading country artists sing off key. But a magical piece of software-Pro Tools-makes them sound as good as gold.'
  11. ↑ 11.011.111.2Ryan, Maureen (27 April 2003). 'What, no pitch correction?'(PDF). Chicago Tribune. Retrieved 2010-04-25.
  12. ↑'Death Cab for Cutie protests Auto-Tune'. Idiomag.com. 2009-02-12. Retrieved 2009-02-12.
  13. ↑Reid, Shaheem (2009-06-06). 'Jay-Z Premiers New Song, 'D.O.A.': 'Death Of Auto-Tune''. MTV. Retrieved 2009-06-21.
  14. ↑Reid, Shaheem (2009-06-10). 'Jay-Z Blames Wendy's Commercial—Partially—For His 'Death Of Auto-Tune''. MTV. MTV Networks. Retrieved 2009-06-10.
  15. ↑DIRRTYHONEY (2009-08-11). 'Christina Aguilera Joins Jay Z's Anti-Autotune Movement'. Popsugar. Retrieved 2010-04-25.
  16. ↑Christina Aguilera Talks Use of Auto-Tune on SIRIUS XM June 17, 2010
  17. ↑McCormick, Neil (2004-10-13). 'The truth about lip-synching'. The Age. Melbourne. Retrieved 2010-04-25.
  18. ↑Tyrangiel, Josh, 'Singer's Little Helper,' Time, February 5, 2009
  19. ↑Note that the phrase perfect pitch is used here in an erroneous manner, as it refers to a very rare ability, not the mere ability to sing in tune; in general a skilled singer can be expected not to sound off-key.
  20. ↑Ryan, Joal (October 23, 2009). 'Glee's Great, but the Music Ain't'. E! Online. Retrieved 2009-11-19.
  21. ↑X Factor admits tweaking vocals
  22. ↑'X Factor 2010: Outraged viewers take to Twitter to complain 'auto-tune' technology was used on first episode'. Daily Mail. London. 2010-08-22.
  23. ↑Sam-Daliri, Nadia (2010-08-26). 'Angry Simon Cowell bans Auto-tuning'. The Sun. London.

Auto-tune Radio Podcast Live

Other websites[changechange source]

  • TuneWorx - a pitch correcting module from SpectrumWorx
  • Antares Auto-Tune EVO Pitch Correcting Plug-In – product home page
  • Pitchfork: Neko Case Interview – artistic integrity and Auto-Tune
  • CBC Radio OneQ: The Podcast for Thursday June 25, 2009MP3 – NPR's Tom Moon on the takeover of the Autotune.
  • 'Auto-Tune', NOVA scienceNOW, PBS TV, June 30, 2009
  • KnowYourMeme: Auto-Tune, the history of Auto-Tune and current use in popular media

Auto-tune Radio Podcast Youtube

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