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PitchWorx DX | |
| This freeware pitch shifter is one of the rare free pitch shift effect available: it allows you to change the pitch of the sound without changing the speed. You have to use a DX-VST wrapper such as the VB-FFX4 wrapper in order to make PitchWorx work with Wavosaur. | |
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May 26, 2018 Bob, Leave the radio set as Derek said. The auto tuner position is there to protect the final transistors in the radio. Leaving it in the auto position will let the radio try to match your antenna and if it cannot find a match it will stop and let you know. Welcome to Rick Beato LIVE. This is a space for a more personal look into my life and Everything Music. CHANNEL; Subscribe Subscribed Unsubscribe 29.3K. This item has been hidden.
4BandShifter VST | |
| This pitch shifter VST lets you split the incoming signal in 4 spectral bands and then apply a pitch shift for each band. | |
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Spectral monkeyage VST | |
| This FFT pitch shifter VST is a good old plugin. Change the pitch without altering the speed (up to -24 +24 semitones) | |
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Gsnap autotune VST | |
| Free autotune VST plugins are also rare, GSnap is effective and does a good job. For the moment you'll have to use the fixed scale correction. We'll add MIDI input for VST plugins later. | |
| comments(9) - download | |
AAS Autotune VST | |
| This GUI-Less autotune VST was in the early free version of Aodix, developped by Arguru. It can be pushed hard to create a - famous - effect. | |
| comments(3) - download | |
Sound effects on voice
DirectX effects with Wavosaur
If you switched on the radio in the summer of 1998, chances are you got a taste of Cher's 'Believe,' an up-tempo ode to bouncing back after a rough breakup. More than a quarter century after first rising to prominence as a 1960s folk artist, the 52-year-old Cher was once again climbing the charts. In malls, dance clubs and laser bowling alleys across the country, 'Believe' played frequently. By the time the dust had settled, the song had become Cher's bestselling recording ever -- and one of the bestselling singles of all time.
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At the time, the most notable feature of the song was an electronic modification on the vocals. The effect first appears 35 seconds into the song, while Cher sings 'I can't break through.' On each of the last three words, Cher's voice undergoes a bizarre electronic glitch.
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The reason behind that glitch was Auto-Tune, a pitch-correcting software designed to smooth out any off-key notes in a singer's vocal track. Released only the year before 'Believe,' it was the recording industry's favorite dirty secret: With only a few clicks of a mouse, Auto-Tune could turn even the most cringe-worthy singer into a pop virtuoso. But most music studios kept it around simply to fix with the occasional wrong note.
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During the recording sessions for 'Believe,' however, Cher's British producers had put the software into overdrive. Instead of lightly tuning the pitch of Cher's voice, they had adjusted the levels so sharply that it became an unmistakable part of the song. The effect was weird and robotic, but against a background of synthesizers and high-energy percussion, it worked like a charm. Opera singers have long been using vibrato, a technique of delivering a note in a constantly wavering pitch. As far as Cher and her producers were concerned, though, Auto-Tune was simply a computerized twist on the technique.
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As 'Believe' hit the airwaves, the producers aimed to keep the lid on their new toy. So much so, that when interviewed about the technique by a sound engineering magazine, they lied and said it was due to a vocoder, a well-known voice modulation device used since the 1970s [source: Sillitoe].
But the truth eventually trickled out, and when it did, Auto-Tune's inventor, Harold 'Andy' Hildebrand, was shocked. Auto-Tune was supposed to be a behind-the-scenes trick for the recording studio. The New Yorker had compared it to blotting out the red-eye in a photograph, and Hildebrand himself compared it to wearing makeup [source: Frere-Jones, NOVA].
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But now, Hildebrand's brainchild was making Cher sound like a robot. 'I never figured anyone in their right mind would want to do that,' Hildebrand told Time magazine [source: Tyrangiel] Whether he realized it at the time or not, Hildebrand's electronic creation was about to become one of the largest technological influences on popular music since Les Paul invented the modern electric guitar.